Eugène Goupi returns to the village where he was born, where his parents want to marry him to a cousin. His uncle, Mains Rouges, gives him a somewhat chilly welcome. His return coincides with the theft of a large sum of money and the assault of his great-grandfather.

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In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

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著名钢琴家斯蒂芬·奥拉克（Stephen Orlac）在一场车祸中失去了双手。为了回归正常生活并重启自己的职业生涯，他同意接受一场革命性的移植手术。然而，当他的双手恢复功能后，他却被一种可怕的杀人冲动所控制。他的伴侣玛丽（Marie）很快意识到，如果她想让丈夫恢复正常……

A young woman's boyfriend just died of a heart attack. Her neighbor upstairs, another woman, persists in making disturbing, loud noises every night, making her life a nightmare. This condominium begins a series of strange events that are going to pick the attention of a retired Interpol agent. The three women are just beginning to get into a game of death.

[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.